Thanks Thanks:  0
Likes Likes:  2
Needs Pictures Needs Pictures:  0
Picture(s) thanks Picture(s) thanks:  0
Page 1 of 2 12 LastLast
Results 1 to 15 of 17
  1. #1
    Join Date
    Nov 2008
    Location
    Nimbin
    Posts
    418

    Default School commission

    The school's mascot tree had some sort of disease and had to be dealt with. It's a liquidamber and I don't see any evidence of rot or insect attack. About 5 to 6 meters high. My job is to do something with it sculpturally. I have a basic plan but was wondering if anyone has had experience with liquidamber timber survival outdoors?


    Sent from my iPhone using Tapatalk
    " We live only to discover beauty, all else is a form of waiting" - Kahlil Gibran

  2. #2
    Join Date
    Jul 2009
    Location
    Waitpinga
    Posts
    823

    Default

    Sorry I can't tell you anything about the wood but.... Wow!... what an opportunity. Really looking forward to seeing what you come up with.

  3. #3
    Join Date
    Mar 2014
    Location
    UK
    Posts
    349

    Default

    Sorry, I too have no idea about this species, however looking at it I can say that it is going to have some wild & crazy grain direction & figuring in it !
    I would love to see what you do with it, every carving bone in my body is screaming STEER WELL CLEAR OF THAT PIECE OF TIMBER !

  4. #4
    Join Date
    Jul 2010
    Location
    Horsham Australia
    Age
    81
    Posts
    207

    Default

    I can't help with your question but I am looking forward to seeing what you produce.
    Cheers Frank.

  5. #5
    Join Date
    Mar 2007
    Location
    nth coast nsw
    Posts
    1,139

    Default

    ..Wow..big job..I haven't used it either but one thing is certain..it will crack.
    perhaps if you could incorporate that into your design somehow..(piercing it to release the tension maybe)

    what if the hokey pokey is really what it's all about?

  6. #6
    Join Date
    Nov 2008
    Location
    Nimbin
    Posts
    418

    Default

    Thanks. From what I hear it moves when slabbed so makes sense that it will split, as you say, even more so being in sun. I'm thinking that one or two big rainy seasons could turn this stump to nothing in five years - and it has a tendency to blacken which is a bad look. Hmmmm. I'm thinking of making and attaching masks on each branch stump and carving a ring of kids around the first metre. Don't want to put too much work in as is unless removed and housed undercover. Hmmmm.



    Sent from my iPhone using Tapatalk
    " We live only to discover beauty, all else is a form of waiting" - Kahlil Gibran

  7. #7
    Join Date
    Nov 2008
    Location
    Nimbin
    Posts
    418

    Default

    Well after a lot of thought where I was turning in the direction of removing the thing and slicing diagonally to 4 metres into a wedge shape with a straight back against a wall undercover somewhere, and then carving it like that, I've decided on plan 1: pleonasm air. I've put my suits soon and preliminary sketch in for perusal to the school. What do you think? Cherry picker or scaffold!


    Sent from my iPhone using Tapatalk
    " We live only to discover beauty, all else is a form of waiting" - Kahlil Gibran

  8. #8
    Join Date
    Nov 2008
    Location
    Nimbin
    Posts
    418

    Default

    Auto correct having a ball there read plein air for pleonasm and submission for suits soon.


    Sent from my iPhone using Tapatalk
    " We live only to discover beauty, all else is a form of waiting" - Kahlil Gibran

  9. #9
    Join Date
    Mar 2014
    Location
    UK
    Posts
    349

    Default

    Wow ! I'm still worried about all that wild grain direction considering the amount of detail you plan, probably I'm just hung up thinking in terms of edge tools rather than rotary burrs.

    The design concept looks great , an additional benefit is that by using individual elements within it as you have, it will give you a fighting chance to be flexible about design - just in case you come cross any nasty surprises inside that rather daunting looking trunk !

    Oh ! & definitely cherry picker as it will allow you to stand back & view the piece in progress un-obscured by scaffold .

  10. #10
    Join Date
    Nov 2008
    Location
    Nimbin
    Posts
    418

    Default School commission

    Yeh. There will be a bit of cold steel but I'm thinking more chainsaw carving bar and chainsaw back-blading with. bit of arbortech turboplaning thrown in.


    Sent from my iPhone using Tapatalk
    " We live only to discover beauty, all else is a form of waiting" - Kahlil Gibran

  11. #11
    Join Date
    Apr 2011
    Location
    McBride BC Canada
    Posts
    2,999

    Default

    I like the concept.
    Hope you have a CS with a dime tip bar.

  12. #12
    Join Date
    Nov 2008
    Location
    Nimbin
    Posts
    418

    Default

    Yes, a ten inch with assorted chains on a Stijl miniboss


    Sent from my iPhone using Tapatalk
    " We live only to discover beauty, all else is a form of waiting" - Kahlil Gibran

  13. #13
    Join Date
    Dec 2012
    Location
    France
    Age
    42
    Posts
    277

    Default

    What a project !

    I read some carvers use wood "saturator" for outdoor sculptures. don't know if it can help.

  14. #14
    Join Date
    Nov 2008
    Location
    Nimbin
    Posts
    418

    Default

    With the stump still attached to the soil this option is not too feasible, but will check it out some more. In the end its all down to timber not treatment when it comes to outdoor durability. We have tallow wood stumps in the paddock, two with huge fig trees in them, with the 80 year old board holes still showing from the axemen who cut them down.


    Sent from my iPhone using Tapatalk
    " We live only to discover beauty, all else is a form of waiting" - Kahlil Gibran

  15. #15
    Join Date
    Dec 2012
    Location
    France
    Age
    42
    Posts
    277

    Default

    ...alright, here is an other option (maybe a suggestion to give to the school) :
    There is a carved tree, in Le Caylar, not so far from my place (far enough so that i never saw it ). It's an elm wich died from disease (like most of elms in France ) in the 80' and was carved by Michel Chevray in 1987-1989, commissioned by the municipality. 2000 hrs work and 25 years after it's still here !
    Below is how they dealt with it.
    More closer picts here
    Here is It's story but you'll have to google-translate it


    177.JPG

Tags for this Thread

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •