![Thanks](https://www.renovateforums.com.au/dbtech/thanks/images/thanks.png)
![Likes](https://www.renovateforums.com.au/dbtech/thanks/images/likes.png)
![Needs Pictures](https://www.woodworkforums.com/images/smilies/happy/photo4.gif)
![Picture(s) thanks](https://www.ubeaut.biz/wave.gif)
Results 16 to 29 of 29
Thread: The coolest fretsaw.
-
13th June 2010, 07:53 PM #16
Beautiful work Peter.
-
13th June 2010, 08:12 PM #17
Jim
- Join Date
- Feb 2008
- Location
- Victoria
- Posts
- 2,144
Let's face it Peter, there are too many selling a dream disguised as a promise
Cheers,
Jim
-
13th June 2010, 09:00 PM #18
Thanks Kraw, sorry I meant Claw...
Have a look here...
After a wax is carved, it is set in plaster and the wax melted out, then it is cast in whatever metal you want, then moulded in rubber, and wax patterns can be made by the thousands in minutes...to be cast in gold, silver or platinum.
Regards,
Peter
-
13th June 2010, 09:06 PM #19
-
14th June 2010, 02:03 AM #20
.
- Join Date
- Jul 2005
- Location
- Victoria
- Posts
- 2,978
-
14th June 2010, 02:30 PM #21
Lignum,
not a brooch, but a "Half Hoop Ring"
There are some pictures there of me using the saw.
Also, I've been thinking about the use of the jeweller's saw, and the fret saw, and wondering where the accepted data on rigidity or frame flex came from.
My successful use of the saw depends on aligning the handle and the blade with the kerf, the other side of the frame follows the blade down (on the bench) , or towards me ( in the vice).
I ONLY break blades in these saws if the work moves and I tweak the blade, or the blade and handle get into misalignment, or I push too hard with a blunt blade. The last one is not a real problem because the blade was on it's way to the bin anyhow...and all I was doing was wasting my time with it...
I find it only takes an instant of inattention, or a wandering thought about something else to loose that sweet feel and sound when I know the blade, the handle and the kerf are aligned.
Now, what part does rigidity have to do with it?
I believe an ultra rigid frame might hinder more than help. The lack of flexing might negate the effect whereby a small misalignment won't be compensated for with a slight flex of the frame. This is just speculation on my part...it is a mystery to me why the ultra rigid frame is needed in the fist place.
This whole thing is a bit like a nicely tuned musical instrument, so much handwork in wood and metal is, when it is all in tune it's musical. I can hear in a workshop when someone is fighting with the saw or when they are playing a tune on it.
Need to tell a short story...about 16 years ago I employed a jeweller on the referral of a friend, a local master goldsmith. About a month in, I was on the phone to him, and he interrupted me...."pass the phone across to *****"... he put his saw down and took the phone, then started to laugh out loud. Passed the phone back, and put a new blade in his saw!!!
TRUE STORY!
Regards,
Peter
-
14th June 2010, 02:38 PM #22
Jim
- Join Date
- Feb 2008
- Location
- Victoria
- Posts
- 2,144
Nice one Peter. Reminds me of the story of Johnny Dankworth the jazz musician. He was in court in the uk for speeding. He argued he couldn't have been as the gearbox was playing A flat! The magistrate didn't believe him.
Cheers,
Jim
-
14th June 2010, 04:24 PM #23
-
14th June 2010, 08:35 PM #24
Jim
- Join Date
- Feb 2008
- Location
- Victoria
- Posts
- 2,144
-
14th June 2010, 11:35 PM #25
gravity is my co-pilot
- Join Date
- Apr 2010
- Location
- Melbourne
- Posts
- 238
Maybe he'd heard him play, or just didn't believe a jazz player could identify a note...
Seriously though, a ten minute tutorial from Peter with the jewler's saw showed that correct technique and (sadly) practice by far outweigh shiny tools. Instant gratification can be few and far between with handtools; just try cutting the Queen's head out of a coin. Aside from deflatory benefits to the economy, it is a skill that must be learnt This aside, the red ones aren't more accurate, but we all know that they're faster!
-
15th June 2010, 02:45 AM #26
Member
- Join Date
- May 2009
- Location
- planet earth - I think?
- Posts
- 72
It takes an IQ of about 70 for a person to learn to tie a shoe lace. Now! I know why 98% of the population wears flip flops and or slip-ons.
-
15th June 2010, 04:43 AM #27
It must be said that this fretsaw is really excellent. I respect Peter's skills, but this does not change the fact that the NC fretsaw works beautifully and performs at a level above most (all?) the other fretsaws I have used. This is not simply in regard to control, but stiffness of the frame, tensioning the blade, ease of blade changing, and above all, a light and balanced feel.
I shall post a detailed review in due course.
Regards from Perth
DerekVisit www.inthewoodshop.com for tutorials on constructing handtools, handtool reviews, and my trials and tribulations with furniture builds.
-
15th June 2010, 09:37 AM #28
Jim
- Join Date
- Feb 2008
- Location
- Victoria
- Posts
- 2,144
It's good to see that the republic movement is still alive and strong in the workshops of the nation
-
15th June 2010, 09:38 AM #29
Jim
- Join Date
- Feb 2008
- Location
- Victoria
- Posts
- 2,144