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  1. #16
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    May 2009
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    Perth
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    Quote Originally Posted by jimbur View Post
    I'm going off topic here but I reckon a number of manufacturers ought to be sued. Imagine using logos that over the years became symbols of reasonable quality to stick on crap.
    Jim
    Well said - I guess it hasn't happened because who no-one will pay the lawyers six figure sums to sue them. Apparently they will for copyright - however dubious the premise may be.

  2. #17
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    Aug 2008
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    Port Kennedy, Perth
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    53
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    Quote Originally Posted by Fuzzie View Post
    I heard the current copyright owner (of Kooka..) being interviewed yesterday and admitted they paid around $6500 to buy the copyright only a couple of years ago.
    If this is true how can they clam any money as the Men at Work song was made years before he paid for the song the person who made the song (Kooka) should have done some thing about this some time ago. It's like if you had a car and some one hit it and you do stuff all about it and sell the car the new owner wont chase up the person who hit the car to pay for it.
    They need to get a life and get over it.
    David
    giveitagoturning @hotmail.com

  3. #18
    Join Date
    Feb 2005
    Location
    Mackay Qld
    Age
    50
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    1,039

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    HE probably bought it with the intention of suing them.
    Mick

    avantguardian

  4. #19
    Join Date
    Nov 2007
    Location
    Dundowran Beach
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    77
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    0

    Thumbs up

    Makes you wonder doesn't it??

    Was a similar case overseas where one of the big rock bands was sued for "subliminal" use of a few notes!! Utter Shyte!!!

  5. #20
    Join Date
    Jun 1999
    Location
    Westleigh, Sydney
    Age
    78
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    1,332

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    Quote Originally Posted by Gingermick View Post
    HE probably bought it with the intention of suing them.
    Apparently, neither he nor anyone else noticed the similarity until it was brought up on Spics 'n' Specs.
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  6. #21
    Join Date
    Feb 2008
    Location
    Victoria
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    If taken to its extreme it would see an end to the recording of live music especially jazz where improvisation is the norm. When the mood takes a jazz player he/she will use anything they've ever heard.
    Lawyers would have to listen to every note before the final release of any recording.
    Cheers,
    Jim

  7. #22
    Join Date
    Dec 2005
    Location
    Canberra
    Posts
    723

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    Personaly, I think copyright should go back to the original seven years - none of this 50 years after the death of the original creator nonsense - if they want to make more money, come up with something new.

  8. #23
    Join Date
    Oct 2003
    Location
    melbourne
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    68
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    Quote Originally Posted by Master Splinter View Post
    Personaly, I think copyright should go back to the original seven years - none of this 50 years after the death of the original creator nonsense - if they want to make more money, come up with something new.
    I don't think the industrial revolution would have taken place if they had copyright BS like this at the time

  9. #24
    Join Date
    May 2007
    Location
    Gold Coast
    Age
    71
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    456

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    Quote Originally Posted by AlexS View Post
    Apparently, neither he nor anyone else noticed the similarity until it was brought up on Spics 'n' Specs.
    Correct, but apparently the Kookaburra tune is used extensively in teaching music in the USofA and they had already made substantial royalty settlements there for its use. $$$+++

  10. #25
    Join Date
    Nov 2007
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    Dundowran Beach
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    77
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    Exclamation

    Now about all those pieces composed by Anonymous, such as Scarborough Faire, Elizabethan Seranade, Greensleeves etc.

    And what about Waltzing Matilda. The version most of us use was omposed by Mary Cowan. There were other versions around before she got to work.

  11. #26
    Join Date
    Feb 2008
    Location
    Victoria
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    596

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    Quote Originally Posted by artme View Post
    Now about all those pieces composed by Anonymous, such as Scarborough Faire, Elizabethan Seranade, Greensleeves etc.

    And what about Waltzing Matilda. The version most of us use was omposed by Mary Cowan. There were other versions around before she got to work.
    Enough to make you change your name to anon.
    As for Waltzing Matilda, saw this in Wiki:
    Although no copyright applies in Australia, the Australian Government had to pay royalties to Carl Fischer Music following the song being played at the 1996 Summer Olympics held in Atlanta
    Jim

  12. #27
    Join Date
    Dec 2009
    Location
    Mandurah WA
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    61
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    0

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    There have been major legal cases in the past where songs have been obvious copies i.e. Huey Lewis (I want a new drug) vs Ray Parker (Ghostbusters) and George Harrison (My sweet lord) vs ??? but this is ridiculous. It comes down to two bars improvised (not written) by the flute player in a different key, different rythm and different tempo. Why should greed ruin two iconic aussie songs?

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