View Full Version : Flamed Maple
floody_85
5th October 2010, 04:49 PM
Hey guys,
Im nearing completion of an electric guitar that im building for my brother. It has a nice flamed maple top on it that was originally going to be dyed red and then cleared over the top. Now hes decided he likes the look of it without colour so just wants it natural. What is the best way to finish it? I want it to be a hard gloss finish but I would like the grain to pop a little more. Any suggestions on the best way to finish this?
http://i625.photobucket.com/albums/tt331/king_petrucci/MattsPRS24/68.jpg
Pat
5th October 2010, 06:41 PM
1st question, Have you got some offcuts to test the finishes?
I'd suggest either Wipe On Poly or the spray Poly after sanding to 1200 or even better 12000.
floody_85
5th October 2010, 07:47 PM
Yea ive got some offcuts i was planning on testing with. I do have some poly here. Would it show off the grain alot but? I was thinking of giving it a coat of a light yellow or amber dye and then sanding back a little. I was told that will pop the grain nicely
groeneaj
5th October 2010, 07:59 PM
Whatever finish you choose please post a pic of the end result - looks fantastic :2tsup:
floody_85
5th October 2010, 09:18 PM
Cheers mate, Ill be sure to post a finished pic. Ive never finished flame maple before so Im a bit lost
Sebastiaan56
6th October 2010, 06:40 AM
West Systems epoxy works really well on Blackwoods etc.Use the minimum you can and if you need 3 coats so be it. Then finish with whatever you were going to use, poly etc. Look forward to the result Floody, you've done a great job so far!
auscab
6th October 2010, 09:38 PM
Iv'e got a book here ,The Beauty Of The Burst ,
Gibson les pauls from 58 to 60 , the Holy grail
of guitar collecting,packed with what must be
the most valueable guitars on earth, your timber
looks just as good as them.:2tsup: I would never
wipe direct colour on to timber with grain like that,
it gets sucked in deep on the end grain stripes
and does little on the rest, and if you get it wrong
its there for good, I would size a test bit first with glue
size to hold a light layer of colour just where you
want it then seal it in from there,[ I would use estapol
sanding sealer ] is what I would do then I would go
shellac after that, whatever ,the size bit is the important
bit.
I described it in detail on Alans post, Les Paul
Junior style guitar build, down the bottom of page
three,a few days back,there are a few important
steps involved ,what I forgot to add there is
when I do it I usually stain with thinner or spirit
based stains after, not water based, try some glue
size at different strengths on test bits dry them off
and then wipe with your colour and do one without size
and you will see the differences
this method of sealing the grain before staining was
also done with shellac to hold coulors up or out of end grain
I would probably be doing a light colour like yellow or amber
with an analine powder called auramine, or to amber with
bismark brown
if you use these you can mix your stains at your own strength
[ I'm pretty sure they are analine, never asked but have
been using them for a long time] mixed with a little shellac
to temper it or give it some hold
let me know if you cant get any. cheers Rob
Sir Stinkalot
6th October 2010, 09:57 PM
How about checking this out?
Episode 32- Pop Goes the Maple | The Wood Whisperer (http://thewoodwhisperer.com/episode-32-pop-goes-the-maple/)
groeneaj
7th October 2010, 03:56 PM
Couple you please tell me where you got your maple from ?
Cheers, Andy
floody_85
7th October 2010, 04:22 PM
Thanks for all the advice. I also have Beauty of the Burst Rob..Talk about guitar !!!
I would do bad things for one of them lol.
Sir Stinkalot, thanks for the link. Ill check it out.
Andy, the maple came from usa. I had 4 or 5 tops sent over cos shipping is pretty pricey. Well worth the money but..
Im hoping to try some test pieces tomorrow so Ill post the results. Thanks guys
groeneaj
7th October 2010, 05:40 PM
Andy, the maple came from usa. I had 4 or 5 tops sent over cos shipping is pretty pricey. Well worth the money but..
Do you mind telling me the company/website you went through and how much shipping was etc?
Thanks for your time mate :2tsup:
Sebastiaan56
9th October 2010, 08:58 AM
Ive never bought from these guys but the stuff they have is very cool Fraser Valley Fine Woods (http://www.fine-woods.com/)
auscab
10th October 2010, 03:43 PM
The auamine and bismark brown are not analine like I said before, I spoke to the guy that sells them and he said they haven't used analine for 40 years,He couldn't tell me what type of dye they were but said to google, I did that , did not come up with a name for it,It just said for use on leather paper wood, is can be used with water or spirit.
Beauty of the burst, guitar all right . lol
more on what I was saying before about sealing then colouring with size, sometimes with the wet sanding bit you can end up with black to grey spots when it dries, to fix a wipe with oxalic acid soloution fixes it.
and if you didn't do the size thing you could probably get similar looks to the burst book sealing with poly sanding sealer then coulor up with the bismark brown in a thin shellac applied with a rubber thin, when colour is right seal with clear shellac and work on the shine.
These are hand methods for getting what was done with a spray gun ,the french polishers rubber method of colouring up is a good way of fine tuning colour in, I have seen on you tube guys spraying colours between coats,
It's interesting to look at page 82 62 and 58 in the burst book on some of the damaged finishes,you can see where the finish came off the colour went with it,meaning it's between layers ,not in the timber. also page 178
Is the look you are going for like the ones in the book ?
cheers Rob
floody_85
10th October 2010, 04:59 PM
Hey Rob,
If it was my guitar, i would be going for one of them..But its for my brother and he doesnt want any colour.. Just as clear and natural a gloss that i can get. I tired some samples wit a clear poly i had. It brings out the grain really well but yellows a little.
I tried two pieces, one i sanded to 400 before finishing. The sanding removed pretty much all the figure though. I tried anutha without sanding and it showed the figure beautifully! But it is a little rough. What would be the best way to counter this problem? Im thinking i might put a sanding sealer on it first and then go to the clear poly which ill prob spray on.
auscab
10th October 2010, 06:17 PM
The figure should still be there after a sand ,but the shine after a coat, if dull may make it a little harder to see, did the second one have the same amount of figure as the first?
It's normaly a good thing to sand very smooth so you dont cut through high spots later,
I would try sand to 400 , blow out the grain with air then try poly.
Or an old trick for showing figure was sand then give a wipe with boiled linseed oil , leave for 24 hours, then on to shellac, but it should work with poly.
The poly I use is wattyl sanding sealer, [ Im pretty sure it is a polly Urethane ] I thin it with mineral turps 20% to 30 % one coat then fine cut back with 400 then second coat, from there I go to shellac, a mix of blonde and a little orange flake for strength, but on to a gloss polly should be fine.
seeing the grain is the same as looking at a pool of water on a windy day compared to a perfectly still day,when it's perfectly reflective its's like a lens and you get a clear view of the bottom, and when it's rough on top the opposite.
keeping the coats thin should help with the yellow, cheers Rob
floody_85
10th October 2010, 08:12 PM
I guess ill just sand it to 400 and then try a sealer on it then go to poly. Ive never used shellac before so I dont have any on hand. I may look at getting some but i dont think i can get it local so maybe anutha time. Any particular brand or type i should look out for?
Pat
10th October 2010, 08:23 PM
Try this mob (http://www.ubeaut.com.au/ubhome.htm) . . .
auscab
10th October 2010, 11:22 PM
Pat's Link has a white shellac which sounds good ,or possibly the hard shellac,
but if you haven't used shellac before you probably should practice on bigger test
bit's that are not important at first. If you learn how to use it and how to colour in
between coats any one of those pics in beauty of the burst could be a possibility
on another build.
And if your sticking with the poly then I would think that after the poly is put on
you will cut back with finer grades of paper untill you can buff it up, same as
painting a car,without cutting through your last coat , and then finish off with a wax.
I have done it that way before with paint but not poly .Great looking guitar, cheers Rob
floody_85
11th October 2010, 07:14 PM
Yea i think ill stick wit the poly for now. But im definately gonna grab some shellac and give it ago. Is the ready made stuff better or the flakes? I saw a pack of flakes in bunnings the other week. Might give them a go just to try it out.
I just got stewmacs guitar finishing book in the mail along wit some colortone stains..Im off to read now lol
auscab
11th October 2010, 10:20 PM
flakes , mix your self and know your strength, thing is though its not probably bleached, and throws the colour, its great if your polishing something like mahogany or red cedar it gives the red a boost but if you want to keep to a pale colour then bleached is what I would use sometimes with a little flake mixed in to make it stronger . I haven't used the ubeaut stuff yet but I will , I work with a guy that used it and he was raving about the hard stuff I think it was.
Wallnut
11th October 2010, 10:44 PM
Hi floody,
Thought of using Mirotone PC Lacquer. they have a spray on sealer which does not change the clour then follow with few gloss. I have used this extensively on Nth Queensland maple which is often 'quilted'.
just a thought
floody_85
12th October 2010, 04:29 PM
Hey wallnut,
Ive looked into mirotone but its prob a bit pricey.The polyurethane section at my work uses their stuff for kitchens so i may be able to order through them in the future.